The Young Never Sleep Blog
THE YOUNG NEVER SLEEP.
Archive of inspiration and selected work of The Young Never Sleep. The Young Never Sleep is the Atlanta-based, interdisciplinary studio of Branden M. Collins. Images copyright their respective owners. If an image belongs to you and you would like it removed, contact us and we'll remove it promptly. Thank you.
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5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
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lawrenceleemagnuson:

Wassily KandinskyLyrisches (1911)oil on canvas 94 x 100 cm Boijmans Van Beuningen Museum, Rotterdam
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Friday Night
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